Nº 00001 17-02-2011 elpueblodechina (a.k.a. Alejandra Perez)
http://elpueblodechina.org
elpueblodechina explora el origen rítmico del ruido en la performance HIMW (He Is My Wife). Ruidismo a partir de preguntas en desarrollo en relacion a la cultura y los afectos. El ritmo, como repeticion puede estar relacionado a los patrones disciplinarios de una sociedad post industrial. Sin embargo los ritmos han sido tambien usados para al encuentro de la gente y la organización. HIMW explora en un diagrama el continuo entre ruido y ritmo. directo desde “grupo de desarrollo de herramientas:TECNOLOGÍAS COLECTIVAS(I) minipimer.tv.
Nº 00002 18-02-2011 Albert Alcoz (Super Ocho) + Juan Matos Capote (Circuit Bending)
From CIRCUIT TORÇAT
come back to metamina home? click
here
http://www.circuittorcat.com/
Albert Alcoz: http://visionary-film.blogspot.com
Juan Matos Capote: http://www.juanmatoscapote.com
Nº 00003 23-02-2011 EROSIÓN Oriol Sánchez (Super 8 ) + Alfredo Costa Monteiro (Electroacústica)
From CIRCUIT TORÇAT
http://www.circuittorcat.com/
Alfredo Costa Monteiro http://www.costamonteiro.net
Oriol Sánchez http://vimeo.com/oriolsanchez
Nº 00004 03-03-2011 PERFORMANCE DE RADIOS TRIO: Ferran Fages (Barcelona) + Juan Matos Capote (Barcelona) + LifeLoop (Berlín) SOLO: LifeLoop (Berlín): Return to Sender
From CIRCUIT TORÇAT
http://www.circuittorcat.com/
Ferran Fages http://www.ferranfages.net/
LifeLoop http://www.lifeloop.org/
Juan Matos Capote: http://www.juanmatoscapote.com
Nº 00006 28-11-2011 Alberto de Campo / Miguel A. García
From NIU & L'ull cec
L'ull cec http://lullcec.org/
NIU http://www.niubcn.com/
Alberto de Campo
Miguel A. García
Nº 00006 06-05-2011 TELLUS - Pilar Subirà: percussion + Alfredo Costa Monteiro: resonant table
Duo formed in Barcelona, 2009.

Resonance is one of the elements that give meaning to the music of Tellus. With a strongly percussive focus, an economy of means and a thorough-going frugality, both musicians use resonance as the thread that links each musical stroke, stretching out time and allowing the sounds to decay into whispers which invite introspection. The other structural axis of Tellus is that of amplification, functioning as a sound-lens which heightens our awareness of the subtler frequencies. Thanks to this lens we start to discover that sounds generated with objets trouvés and those emanating from musical instruments are complementary and, indeed, imitate each other.

Without abusing any systematic doctrine, shapes emerge, only to return to silence – a silence often pregnant, but whose very expectancy dissolves all haste.
TELLUS
From CIRCUIT TORÇAT
Nº 00007 05-09-2012 Anton Mobin / Lucia C.Pino
From Txucrut Studio
Anton Mobin http://antonmobin.blogspot.com.es/
Lucia C. Pino http://lcpino.com/
download Anton_Mobin_on_mEtaminaFNR.ogg
download Lucia_C_Pino_on_mEtaminaFNR.ogg